There are too many layers in this picture, which Yefim took, to properly dissect. The sandal is on the ground. The man's energy is oriented toward our left, but he is framed on the right, which gives a sense of profound disquiet. His bench is trapped between barriers. The common area is behind him. His expression is ambiguous but possibly anguished.
This is the finest picture of Yefim's I have ever seen.
This is the finest picture of Yefim's I have ever seen.